Monthly Archives: October 2012

11th October 2012

Tame Impala* – Feels like we only go backwards (NAT)

Tame Impala are band hailing from Western Australia. They make Lo-fi, washed out pop that reminds me a little of blog favourites Best Coast. The somewhat trippy video here is rather fitting too I thought.

I also found out that an impala is a medium size antelope. You learn something new every day…


*Artist #531

10th October 2012

Björk – Play Dead

I am an unashamedly massive Björk fan. She is my favourite non-Motown female vocalist. Beyond that she seems like the kind of person I would like to have a beer with. While that’s not a particularly important quality for me when I think about music, it’s a plus. I imagine that it certainly wouldn’t be a boring evening!
This gem is taken off her first album Debut, which I can’t believe is nearly 20 years old (I am sure I still have the cassette which I stole off my Dad somewhere)! It is typical of her work in that it has a soaring urgency that I find utterly compelling.
/RjK old – Play Dead

9th October 2012

Elliot Smith – Son of Sam

Elliot Smith has featured heavily in the soundtrack to my week. As you might imagine, this is not a very positive indicator about my mood. I’m not sure why but I seem to have been in something of a funk for the past few days. The initial boost of enthusiasm brought on by a change of scenery must have worn off. I am sure I will snap out of it before too long.

This track is taken off the very enjoyable if somewhat morose Figure 8, which was the last album Elliot Smith completed before his death. On a brighter note, it is one of my favourite album sleeves being simple but  quite effective.

Figure 8:

8th October 2012

Beth Orton* – She cries your name

Norfolk singer Beth Orton was the first gig I ever went to, at the Queen’s Festival in Belfast in what must have been 2000 or 2001. On reflection it was something or a random choice.

She came into my head this week for some strange reason that I can’t quite put my finger on. I can’t say that I listen to her too often these days but I really enjoyed revisiting this track. The slightly off kilter strings that start the track still make for a killer intro.

Birds which scream for territory can learn to sing euphorically…


*Artist #530

7th October 2012

Broken Social Scene – Bandwitch

This is my idea of Sunday night music. Hushed and mellow, it is just the kind of thing to calm a mind racing with thoughts of the week ahead.

Canadian collective Broken Social Scene featured heavily in the soundtrack to the year I spent in Berkeley, California and as such, always raise a smile anytime I hear them.


6th October 2012

Aretha Franklin – Call Me

What can you say about Aretha? She makes it seem so effortless, shifting here from mellow warmth to soaring urgency with such ease it is amazing.

Call me the hour, call me the minute, the second that you get there…


5th October 2012

Hall and Oates – Sara Smile (GPF)

I’m not sure that really feel all that guilty about this. It is nice and chilled out. My Friday choices seem to oscillate between riotous and mellow depending on the weekend ahead and preceding week. Given how busy the past few days have been I am certainly leaning towards the latter today.

Have a great weekend everyone!


Common featuring Kanye West – The Food (live)

Chicago rapper Common makes hip hop that is cerebral. This might seem like an oxymoron and whilst they certainly aren’t regular bedfellows the combination does exist. A couple of tracks (including this one) from his album Be, which is one of my favourite rap albums ever, came on my mp3 player today and happily reminded me of this fact.


2nd October 2012

Barbara Lynn* – This is the thanks I get

This is just classic, smooth Northern Soul. I don’t know that I can add much to that, it kind of speaks for itself. One interestingly thing to note about Barbara Lynn is that she plays guitar left-handed, a fact which is rather awesomely captured below.

On a different note there was an interview in the Guardian this week with my musical hero Van Morrison, about his new record. It was conducted by Don Was of the utterly manic Was (not was), who I posted last year.

Barbara Lynn:


*Artist #528